Summary

by Henry James,  A Little Tour In France — Chapter IV

“ In that soft, clear, merry light of Touraine, everything shows, everything speaks. Charming are the taste, the happy proportions, the color of this beautiful front, to which the new feeling for a purely domestic architecture - an architecture of security and tranquillity, in which art could indulge itself - gave an air of youth and gladness. It is true that for a long time to come the castle of Blois was neither very safe nor very quiet ”
Source: Wikisource

by Henry James,  A Little Tour In France — Chapter IV

“ It is a pardonable flight of fancy to say that the expressive faces of an age in which human passions lay very near the surface seem to look out at you from the windows, from the balconies, from the thick foliage of the sculpture. The portion of the wing of Louis XII. that looks toward the court is supported on a deep arcade. On your right is the wing erected by Francis I., the reverse of the mass of building which you see on approaching the castle. This exquisite, this extravagant, this transcendent piece of architecture is the most joyous utterance of the French Renaissance. ”
Source: Wikisource

by Henry James,  A Little Tour In France — Chapter IV

“ The windows of the attic are like shrines for saints. The gargoyles, the medallions, the statuettes, the festoons, are like the elaboration of some precious cabinet rather than the details of a building exposed to the weather and to the ages. In the interior there is a profusion of restoration, and it is all restoration in color. This has been, evidently, a work of great energy and cost, but it will easily strike you as overdone. The universal freshness is a discord, a false note; it seems to light up the dusky past with an unnatural glare. ”
Source: Wikisource

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