by Mary Roberts Rinehart and Avery Hopwood

Summary

by Mary Roberts Rinehart and Avery Hopwood The Bat — I. The Shadow of the Bat (1926)

Some day the Bat would slip and falter—then they would have him. But the weeks passed into months and still the Bat flew free, solitary, untamed, and deadly. At last even his own kind turned upon him; the underworld is like the upper in its fear and distrust of genius that flies alone. But when they turned against him, they turned against a spook—a shadow.
Source: Wikisource

by Mary Roberts Rinehart and Avery Hopwood The Bat — I. The Shadow of the Bat (1926)

In tawdrily gorgeous apartments, where gathered the larger figures, the proconsuls of the world of crime, cold, conscienceless brains dissected the work of a colder and swifter brain than theirs, with suave and bitter envy. Evil's Four Hundred chattered, discussed, debated—sent out a thousand invisible tentacles to clutch at a shadow—to turn this shadow and its distorted genius to their own ends. The tentacles recoiled, baffled—the Bat worked alone—not even Evil's Four Hundred could bend him into a willing instrument to execute another's plan.
Source: Wikisource

by Mary Roberts Rinehart and Avery Hopwood The Bat — I. The Shadow of the Bat (1926)

Beast, man, or devil? A specter—a flying shadow—the shadow of a Bat.
From thieves' hangout to thieves' hangout the word passed along stirring the underworld like the passage of an electric spark. "There's a bigger guy than Pete Flynn shooting the works, a guy that could have Jim Gunderson for breakfast and not notice he'd et." The underworld heard and waited to be shown; after a little while the underworld began to whisper to itself in tones of awed respect. There were bright stars and flashing comets in the sky of the world of crime—but this new planet rose with the portent of an evil moon.
Source: Wikisource

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