Cader Idris

Definition and stakes

Portrait of R. D. Blackmore R. D. Blackmore George Bowring - A Tale Of Cader Idris

The sun, from over the sea, had still his hand on Cader Idris; but every inferior head and height was gray in the sweep of his mantle.
I threw my hair back—for an artist really should be picturesque; and, having no other beauty, must be firm to long hair, while it lasts—and then I shouted, “George!” until the strata of the mountain (which dip and jag, like veins of oak) began and sluggishly prolonged a slow zig-zag of echoes. No counter-echo came to me; no ring of any sonorous voice made crag, and precipice, and mountain vocal with the sound of “Bob!”
Source: Gutenberg

Portrait of R. D. Blackmore R. D. Blackmore George Bowring - A Tale Of Cader Idris

And thus he lay dead, with the crag for his headstone, and the weight of his corpse sank a grave for itself in the channel of the river, and the toes of his boots are still to be seen after less than a mile of the valley.
Under this headstone of Idris lay the body of George Bowring, fair and comely, with the clothes all perfect, and even the light cap still on the head. And as we laid it upon the grass, reverently and carefully, the face, although it could smile no more, still appeared to wear a smile, as if the new world were its home, and death a mere trouble left far behind.
Source: Gutenberg

Portrait of Hilaire Belloc Hilaire Belloc Esto perpetua (1906)

There is a sort of long cup or hollow here pointing at a spur of the Atlas—that high mountain which holds up the sky. The big lift of Aurès is on one side of this hollow, mixing into the clouds, and on the other are isolated and uninhabited high hills. The very floor of this valley is as high as the top of Cader Idris is in Wales; the heights beyond are as high as the Pyrenees; and an air of 142desertion haunts the place. It is impossible to forget that the Sahara is near by, down beyond the crest of the range.
Source: Gutenberg

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