John R. Carling

Summary

John R. Carling,  The Viking's Skull

“ Charmed by the melody of Lorelie's voice, charmed still more by the lovely face set in a frame of dark hair, Idris sat entranced, with something more than admiration in his eyes. And as Beatrice observed his rapt attitude, his accelerated breathing, she trembled uneasily; not for herself, but for Lorelie. In the near future, when the young viscountess should have come to learn the worthlessness of her husband, and to experience the misery of existence with him, would she have sufficient strength and purity of soul to resist the temptation of flying to the arms of Idris? ”
Source: Gutenberg

John R. Carling,  The Viking's Skull

“ The advent of Queen Rosamond was heralded by music of a singular character. The softer and more melodious instrument ceased, and there arose a threnody drawn entirely from violin-chords and from the metallic wires of the harp—a threnody that was staccato, shivering, weird. The faint whisperings which had been going on here and there among the audience instantly ceased: every one sat spellbound, thrilled with awe by that unearthly music, as if it were a prelude to the entrance of Death himself.
Idris recognized the air as the requiem that was never heard except at the death of a Ravengar.
”
Source: Gutenberg

John R. Carling,  The Viking's Skull

“ Idris becoming more puzzled at this compulsory state of labour, returned to the moral character of the workers.
"Are they all bad—every one?"
"No; not all," exclaimed his mother, with an energy that quite surprised the little fellow. "There is one there who is the best, the truest, the noblest of men."
Her eyes sparkled, and a beautiful colour burned on her cheek. She sat with a proud air as if defying the world to say the contrary.
"Is he as good as father was?"
"About the same," replied Mrs. Breakspear, her features softening into a smile.
”
Source: Gutenberg

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