Camelia

Definition and stakes

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick,  The Confounding of Camelia

“ To tear the bleeding tragedy from its hiding-place, and make Camelia shudder, scream at it—it brought relief, lightness; she breathed deeply, with a sense of bodily dissolution; and Camelia’s look was better than screams or shudders. Let the truths go like knives to the heart that deserved them. As she spoke Mary felt her wrongs gather around her like an army. She had no fear. She straightened herself to send to her cousin a solemn look of power. ”
Source: Gutenberg

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick,  The Confounding of Camelia

“ Her white hair was smoothed thickly under the transparent cambrics of an exquisite cap, and framed the sweetness of a faded face, in profile like Camelia’s. Camelia’s eyes were her father’s, and her smile; Lady Paton’s eyes were round like a child’s, and her smile half-frightened, half-explanatory. With all the gentlewoman’s mild dignity, her look was timid, as though it besought indulgence for a lifelong sense of insignificance, a look that aroused in Perior his grimmest scorn for a world in which such flower-like moral loveliness is inevitably victimized by garish egotisms. ”
Source: Gutenberg

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick,  The Confounding of Camelia

“ Not that Mary thought Mr. Perior nobody. To her he was everybody; but that knowledge was her painful joy, a perception lifting her above Camelia. Camelia judged by the world’s gross standards, and, by those standards, she must stoop in loving Perior.
That Camelia should stoop in the world’s eyes, that Camelia should do anything but soar, were unimaginable things. So her ignorance made her knowledge more bitter. The man she loved, adored,—her bleached, starved nature spreading every flower, stretching every tendril, her ideal and her rapture towards him,—that man did not see her, even.
”
Source: Gutenberg

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