The Three Musketeers

Definition and stakes

Portrait of Alexandre Dumas Alexandre Dumas,  The three musketeers (1844)

“ Loose, half-drunk, imposing, the king’s Musketeers, or rather M. de Treville’s, spread themselves about in the cabarets, in the public walks, and the public sports, shouting, twisting their mustaches, clanking their swords, and taking great pleasure in annoying the Guards of the cardinal whenever they could fall in with them; then drawing in the open streets, as if it were the best of all possible sports; sometimes killed, but sure in that case to be both wept and avenged; often killing others, but then certain of not rotting in prison, M. de Treville being there to claim them. ”
Source: Gutenberg

Portrait of Alexandre Dumas Alexandre Dumas,  The three musketeers (1844)

“ All the mundane objects that generally strike the eye on entering the room of a young man, particularly when that young man is a Musketeer, had disappeared as if by enchantment; and for fear, no doubt, that the sight of them might bring his master back to ideas of this world, Bazin had laid his hands upon sword, pistols, plumed hat, and embroideries and laces of all kinds and sorts. In their stead d’Artagnan thought he perceived in an obscure corner a discipline cord suspended from a nail in the wall. ”
Source: Gutenberg

Portrait of Alexandre Dumas Alexandre Dumas,  The three musketeers (1844)

“ Richelieu, as everyone knows, had loved the queen. Was this love a simple political affair, or was it naturally one of those profound passions which Anne of Austria inspired in those who approached her? That we are not able to say; but at all events, we have seen, by the anterior developments of this story, that Buckingham had the advantage over him, and in two or three circumstances, particularly that of the diamond studs, had, thanks to the devotedness of the three Musketeers and the courage and conduct of d’Artagnan, cruelly mystified him. ”
Source: Gutenberg

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