“ A small pencil of light may be thus transmitted through a single lens without suffering from spherical aberration or chromatic dispersion any amount of distortion which will materially affect the figure of the object; but this quantity of light is insufficient to bear diffusion over the magnified picture, which is therefore too obscure to exhibit what we most desire to see—those beautiful and delicate markings by which one kind of organic matter is distinguished from another. ”
Andrew Ross
Biographical details
Andrew Ross, a meticulous observer of optical science, is best known for his seminal work The Microscope, a treatise that examines the complexities of lens design and magnification. His writing combines technical accuracy with clarity, as seen in his discussions of spherical aberration, chromatic dispersion, and the structural integrity needed for precise observation.
Ross’s emphasis on the relationship between light, lenses, and human vision highlights his dedication to clarifying scientific instruments. By connecting theoretical concepts with real-world application, his work remains essential in understanding microscopy’s role in uncovering the hidden structures of organic matter, a legacy reflected in the scholarly efforts of contemporaries like Otto Henker and Otto Eppenstein.
Quotes by Andrew Ross
“ Having now explained the optical principles of the achromatic compound microscope, it remains only to describe the mechanical arrangements for giving those principles their full effect. The mechanism of a microscope is of much more importance than might be imagined by those who have not studied the subject. In the first place, steadiness, or freedom from vibration, and most particularly freedom from any vibrations which are not equally communicated to the object under examination, and to the lenses by which it is viewed, is a point of the utmost consequence. ”
“ It is not always understood that the so-called magnifying power of a lens applied to the eye, as in a microscope, is derived from [Pg 4] its enabling the eye to approach more nearly to its object than would otherwise be compatible with distinct vision. The common occurrence of walking across the street to read a bill is in fact magnifying the bill by approach; and the observer, at every step he takes, makes a change in the optical arrangement of his eye, to adapt it to the lessening distance between himself and the object of his inquiry. ”
