“ He engaged a vehicle at the hotel and drove over to Flint House in the afternoon. The impression of that visit remained. Flint House, rising from the basalt summit of the headland like a granite vault, its windows coldly glistening down on the frothy green gloom of the Atlantic far beneath, the country trap and lean black horse at the flapping gate, the undertaker’s man (dissolute parasite of austere Death) slinking out of the house, and Thalassa waiting at the open door for him to approach—all these things were engraved on Mr. Brimsdown’s mind, never to be forgotten. ”
Arthur J. Rees
Biographical details
Arthur J. Rees (1872–1942), an Australian writer celebrated for his contributions to mystery and detective fiction, crafted complex narratives that combine psychological tension with evocative settings. His works, including The Shrieking Pit and The Hand in the Dark, frequently depict remote locations and moral uncertainty, illustrating his command of the genre’s traditions.
Partnering with John Reay Watson on the Inspector Crewe series and writing standalone thrillers such as The Moon Rock, Rees’s body of work demonstrates a careful eye for detail and a talent for building suspense, establishing his reputation as a key figure in early 20th-century crime literature.
Quotes by Arthur J. Rees
Arthur J. Rees, The Hand in the Dark
“ The loneliness of the deserted wing was like a moving shuddering thing in the desolation of the silence and the darkness. It was as though the echoing corridor and the empty rooms were whispering, with the appeal of the forgotten, for friendly human companionship and light to disperse the horror of sinister shapes and brooding shadows which lurked in the abode of murder. Colwyn entered the bedroom where Mrs. Heredith had been murdered, and by the ray of his electric torch crossed to the bedside and switched on the light. ”
Arthur J. Rees, The Mystery of the Downs
“ The door of the room where Marsland was hidden also commanded a view of the interior of the room in which the clock stood. The stillness was so complete that Crewe could hear the watch in his pocket ticking off the ebbing moments. Once the distant yelp of a sheep-dog reached him, then there was another long period of stillness. Twice his keen ear caught a faint creaking in the old house, but he knew they were but the mysterious night noises which are so common in all old houses: the querulous creakings and complaints of beams and joists which have seen many human generations come and go. ”
