C. Malcolm Watkins

“ There remained only level acres of grass, clover, and grain where once a poor village had been erected and where John Mercer’s splendid estate had risen with its Palladian mansion, its gardens, warehouses, and tobacco fields. Even in the early 19th century the tobacco plantation, especially in northern Virginia, had become largely a thing of the past. Within the memory of men still alive, the one structure still standing from Mercer’s time was the windmill. Except for the present-day fringe of modern houses, Marlborough must look today much as it did after its abandonment and disintegration. ”

“ The delftware of London and Bristol and the yellow wares of Bristol and Staffordshire became preferable to the soft and imperfect sgraffito ware. In the same way, the kitchen ware of Staffordshire and the adequate red-wares of American potters made obsolete the heavy, ugly, and incomparably crude gravel-tempered ware, while American bricklayers, having adopted the custom of building brick ovens into fireplaces, outmoded the portable ovens from North Devon after 1700. Any chance of a renaissance of North Devon’s potteries was killed by the blockading of its ports in the mid-18th century. ”

“ In sparsely settled Stafford especially there was little to nurture a town. It was easier, and perhaps more exciting, to grow tobacco and gamble on a successful crop, to go in debt when things were bad or lend to the less fortunate when things were better. In the latter case land became an acceptable medium for the payment of debts. Land was wealth and power, its enlargement the means of greater production of tobacco—tobacco again the great gamble by which one would always hope to rise and not to fall. When one could own an empire, why should one worry about a town? ”

“ The sgraffito pottery is a red earthenware, coated with a white slip through which designs have been incised. An amber lead glaze imparts a golden yellow to the slip-covered portions and a brownish amber to the exposed red paste. The gravel-tempered ware is made of a similar red-burning clay and is remarkable for its lack of refinement, for the pebbly texture caused by protruding bits of gravel, and for the crude and careless manner in which the heavy amber glaze was applied to interior surfaces. ”

“ In so becoming, it was typical of the consolidation of wealth, property, and power in Virginia as the mid-century approached. Land had become both a substitute for tobacco in lean years and the means for paying off debts. The same land in better years yielded crops to its new owners, so that a relatively few dynamic men were able to amass great wealth and form a ruling aristocracy. The varieties of talents in men like Mercer—who, besides being a planter, was an accomplished lawyer and able administrator—placed them in the ascendancy over their less able fellows. ”

“ The style of decoration is unique to English pottery and reflects Continental elements of design. It is reminiscent of decoration found on English and colonial New England furniture and embroideries. The only counterparts of this ware—matching it in style, paste color, and technique—are found among 17th-century sherds excavated from the sites of two potteries in Barnstaple. The 18th-century and 19th-century North Devon sgraffito ware surviving above ground differs considerably in style and form but in other respects it is the same as the ware found archeologically in Virginia and Maryland. ”

“ At Jamestown, a wholly reconstructed oven reveals typical North Devon traits throughout, while a fragment of an oven from the John Howland House site near Plymouth displays, under a microscope, the same qualities of paste and temper as in a fragment of an oven obtained in Bideford by the Smithsonian Institution. Sherds of gravel-tempered utensils from several American sites also match the oven fragments. Paste characteristics, exclusive of the temper, are the same in the sgraffito ware, the gravel-tempered ware, and the ovens. ”

“ Mercer’s Consolidation of Marlborough, 1730-1740 MERCER THE YOUNG LAWYER
The 1730’s opened a golden age in the Virginia colony. There was an interval of peace in which trade might flourish; there were new laws which favored the tobacco planter and led to the building of resplendent mansions along Virginia’s shores. John Mercer wasted no time in grasping the opportunities that lay about him. With shrewd foresight he made law his major objective, thus raising himself above most of his contemporaries. ”

“ That they included no lawbooks at a time when Mercer was preparing for the law is an indication of his broad taste for literature and learning.
Marlborough, we can see, was occupied by a young man of talent, energy, and creativity. He alone, of the many men who had envisioned a center of enterprise on Potomac Neck, was possessed of the drive and the simple directness to make it succeed. For George Mason and the Waughs, Mercer was the ideal solution for their Marlborough difficulties. ”

“ The utilitarian red-ware was indeed coarse, since it was liberally tempered with Bideford gravel in order to insure hardness and to offset the purity and softness of the Fremington clay. An anonymous historian wrote in 1755: [37]
Just above the bridge [over the River Torridge] is a little ridge of gravel of a peculiar quality, without which the potters could not make their ware. There are many other ridges of gravel within the bar, but this only is proper for their use. ”

“ Although great antiquity attaches to the origins of North Devon pottery manufacture—Barnstaple has had its Crock Street for 450 years [30] —the principal evidence of early manufacture falls into the second half of the 17th century. We have seen that a growing America provided an increasing market for North Devon’s ceramic wares. In 1668 Crocker’s pottery was established at Bideford, and it is in the period following that Bideford’s importance as a pottery center becomes noticeable. ”

“ In this seeming anomaly Marlborough is a true illustration of its age, when men like Mercer were strong individuals but at the same time typifying and expressing the milieu in which they lived.
Mercer’s rise to wealth and leadership occurred at a time when favorable laws held out the promise of prosperity, while boundless lands offered unparalleled opportunities for investment. ”

“ No other identifiable English ware of this period compares with the gravel-tempered pottery, the use of gravel for temper apparently being restricted to North Devon. Gravel is found in red earthenware sherds from Spanish colonial sites and in olive oil jars of Hispanic origin, but both the quality and proportion of temper differs, as do the paste characteristics, so that no possibility exists for confusion between them and the North Devon ware. ”

“ Mercer was designated co-guardian of 10-year-old George Mason IV, who came to live at Marlborough. Young George later grew up to be the master of Gunston Hall and, as the author of the Virginia Bill of Rights, to stand among the intellectuals whose ideas influenced the Revolution and the framing of the Constitution. In these formative years, young George Mason surely must have been affected by the strong legal mind and cultivated tastes of his uncle. ”

“ The only known counterparts of the North Devon ovens are Continental. A 15th-century example appears in an Augsburg woodcut, and a 16th-century specimen is depicted in De Bry’s engraving after Le Moyne’s painting of Fort Caroline, the Huguenot settlement in Florida. There are many suggestions of Huguenot and Low Country influences on North Devon pottery. Bideford and Barnstaple both were Puritan strongholds in the 17th century, and both became French Huguenot centers, especially after the revocation of the Edict of Nantes in 1685. ”

“ The 17th-century wisdom of William Fitzhugh and Robert Beverley in seeking to lead the colony away from complete dependence upon tobacco was apparent to those who would remember. Marlborough, although still technically a town, was now in reality a tobacco plantation, and Mercer, despite his status as a lawyer, was as irretrievably committed to the success or failure of tobacco as was Fitzhugh 70 years earlier. ”

“ Indeed, he explained his feeling that those who possessed architectural skills “were more beneficial members of society, and more likely to make a fortune, with credit, than the young Gentlemen of those times, who wore laced jackets attended for improvement at ordinaries, horse races, cock matches, and gaming tables.” Motivated by this honest sense of values, forged in the experience of a self-made man, Mercer proceeded to bind James “apprentice to Mr. Waite, a master carpenter and undertaker (of Alexandria) , who covenanted to instruct him in all the different branches of that business. ”

“ But with neither courthouse nor port activity nor manufacture, the town became a paradox in an economy and society of planters.
Remote and inaccessible, uninhabited by individuals whose skills could have given it vigor, Marlborough no longer had any reason for being. It lingered on for a short time, but when John Mercer came to transform the abandoned village into a flourishing plantation, “Most of the other Buildings were suffered to go to Ruin, so that in the year 1726, when your Petitioner [i.e., Mercer] went to live there, but one House twenty-feet square was standing.” ”

“ Origins of Marlborough ESTABLISHING THE PORT TOWNS
The dependence of 17th-century Virginia upon the single crop—tobacco—was a chronic problem. A bad crop year or a depressed English market could plunge the whole colony into debt, creating a chain reaction of overextended credits and failures to meet obligations. Tobacco exhausted the soil, and soil exhaustion led to an ever-widening search for new land. This in turn brought about population dispersal and extreme decentralization. ”