Courtney Ryley Cooper

Biographical details

Portrait of Courtney Ryley Cooper Courtney Ryley Cooper The White Desert

The snowshoe rabbit made its appearance, tracking the shadowy, silent woods with great, outlandish marks. The coyotes howled o' nights; now and then Houston, as he worked, saw the tracks of a bear, or the bloody imprints of a mountain lion, its paws cut by the icy crust of the snow as it trailed the elk or deer. The world was a quiet thing, a white thing, a cold, unrelenting thing, to be fought only by thick garments and snowshoes. But with it all, it gave Houston and Ba'tiste a new enthusiasm. They at least could get their logs to the mill now swiftly and with comparative ease.
Source: Gutenberg

Portrait of Courtney Ryley Cooper Courtney Ryley Cooper The Cross-Cut

They were on a back seat in the long courtroom,—Squint Rodaine and his son, chalkier, yet blacker than ever, while between them sat an old woman with white hair which straggled about her cheeks, a woman with deep-set eyes, whose hands wandered now and then vaguely before her; a wrinkled woman, fidgeting about on her seat, watching with craned neck those who stuffed their way within the already crammed room, her eyes never still, her lips moving constantly, as though mumbling some never-ending rote. Fairchild stared at her, then turned to Harry.
Source: Gutenberg

Portrait of Courtney Ryley Cooper Courtney Ryley Cooper Lions 'n' tigers 'n' everything (1922)

Inconsistency is a thing which surrounds an elephant on every side in his life in the circus. Just as he is the best-liked beast of the menagerie, so is he the most feared. Just as he is the thing that must be counted upon literally to drag the show out of the mud when the mire of a wet circus lot has sunk every wagon to the wheel hubs and so entangled the heavy conveyances that horseflesh, even tractors, lose their efficiency, so on the very next day he may wreck everything he has worked so hard to save.
Source: Gutenberg

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