E. C. Bentley

Biographical details

Portrait of E. C. Bentley E. C. Bentley,  Trent's Last Case

“ Murder for a woman’s sake, he thought, was not a rare crime, Heaven knew! If the modern feebleness of impulse in the comfortable classes, and their respect for the modern apparatus of detection, had made it rare among them, it was yet far from impossible. It only needed a man of equal daring and intelligence, his soul drugged with the vapours of an intoxicating intrigue, to plan and perform such a deed.
A thousand times, with a heart full of anguish, he had sought to reason away the dread that Mabel Manderson had known too much of what had been intended against her husband’s life.
”
Source: Gutenberg

Portrait of E. C. Bentley E. C. Bentley,  The Woman in Black

“ Trent went that evening, and thenceforward regularly, to the opera. He might see her; and if, in spite of his caution, she caught sight of him, they could be blind to each other's presence—anybody might happen to go to the opera.
So he went alone each evening, passing as quickly as he might through the people in the vestibule; and each evening he came away knowing that she had not been in the house. It was a habit that yielded him a sort of satisfaction along with the guilty excitement of his search; for he too loved music, and nothing gave him so much peace while its magic endured.
”
Source: Gutenberg

Portrait of E. C. Bentley E. C. Bentley,  The Woman in Black

“ The tide of American visitors pouring through Europe made eddies round the memorial or statue of many a man who had died in poverty; and never thought of their most famous plutocrat. Like the poet who died in Rome, so young and poor, a hundred years ago, he was buried far away from his own land; but for all the men and women of Manderson's people who flock round the tomb of Keats in the cemetery under the Monte Testaccio, there is not one, nor ever will be, to stand in reverence by the rich man's grave beside the little church of Marlstone. ”
Source: Gutenberg

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