Edward Frederic Benson

Biographical details

Portrait of Edward Frederic Benson Edward Frederic Benson,  The Climber (1912)

“ Lucia sat down in the chair in front of her looking-glass and blew out the candles. The blinds were down over the window and the room was almost absolutely dark, so that Maud had to feel for the silver-handled brush which she had given her friend, for no glimmer of light shone on the dressing-table; and having found it, she had to feel with her hand to find the golden billows of Lucia's head. Thick and soft and warm they lay there in untroubled calm at present; soon she would raise in them that mysterious tempest of fiery life that lay in them. ”
Source: Wikisource

Portrait of Edward Frederic Benson Edward Frederic Benson,  Across the Stream (1919)

“ It was from the slime and mud and from among blind crawling things that the water-lily sprang, and where before the enchantment of life moved him, he felt now only the call of putrefaction and decay. The lethal side of the created world had become exquisite in his eyes, and the beauty of it was derived from its everlasting corruption, not from the eternal upspringing of life. Lust, not love, was the force that kept it young, and renewed it so that the harvest of its decay should never ceased to be reaped. ”
Source: Wikisource

Portrait of Edward Frederic Benson Edward Frederic Benson,  Queen Lucia (1920)

“ But I think this Riseholme life with its finish and its exquisiteness spoils one for other places. London is like a railway-junction: it has no true life of its own. There is no delicacy, no appreciation of fine shades. Individualism has no existence there; everyone gabbles together, gabbles and gobbles: am not I naughty? If there is a concert in a private house —you know my views about music and the impossibility of hearing music at all if you are stuck in the middle of a row of people—even then, the moment it is over you are whisked away to supper, or somebody wants to have a few words. ”
Source: Wikisource

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