Edward John Moreton Drax Plunkett

Biographical details

Edward John Moreton Drax Plunkett Selections from the Writings of Lord Dunsany… (1912)

Just now Nehemoth awakes, the slaves leap to their feet and bear the palanquin to the outer side of the great crescent palace between the south and the west, to behold the sun again. The palanquin, with its ringing bells, goes round once more; the voices of the jewellers sing again in the market-place the song of the emerald, the song of the sapphire; men talk on the housetops, beggars wail in the streets, the musicians bend to their work, all the sounds blend together into one murmur, the voice of Babbulkund speaking at evening.
Source: Wikisource

Edward John Moreton Drax Plunkett Selections from the Writings of Lord Dunsany… (1912)

THAHN They should dance as they come. But the footfall is like the footfall of heavy crabs.
ULF (in a loud voice, almost chaunting) I have a fear, an old fear and a boding. We have done ill in the sight of the seven gods; beggars we were and beggars we should have remained; we have given up our calling and come in sight of our doom: I will no longer let my fear be silent: it shall run about and cry: it shall go from me crying, like a dog from out of a doomed city; for my fear has seen calamity and has known an evil thing.
Source: Wikisource

Edward John Moreton Drax Plunkett Selections from the Writings of Lord Dunsany… (1912)

AGMAR The men are doubters. How the gods hate the word! Doubt ever contaminated virtue. Let them be cast into prison and not besmirch your purity, (rising) Let them not enter here.
ILLANAUN But O most reverened Deity from the mountain, we also doubt, most reverend Deity.
AGMAR You have chosen. You have chosen. And yet it is not too late. Repent and cast these men in prison and it may not be too late. The gods have never wept. And yet when they think upon damnation and the dooms that are withering a myriad bones, then almost, were they not divine, they could weep.
Source: Wikisource

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