Frederick Charles Plumptre

Biographical details

Frederick Charles Plumptre Archaeological Journal (1847)

We may here trace at one glance the successive varieties of form, gradually developed from the simple intersection of two straight lines, rudely cut, to the delicately foliated designs in relief, which in their turn gave way to the yet more elaborate devices, which the use of brass or latten had facilitated in the thirteenth century.
Source: Wikisource

Frederick Charles Plumptre Archaeological Journal (1847)

Some years ago the Norman tower-piers, which it was afterwards discovered were a mere mass of rubble in the interior without sufficient bond-stones, began to give way under the weight of these successive additions. The side walls could not sustain the pressure thus brought upon them, and after every expedient to stay the ruin had been tried in vain, by first taking off the spire in 1825, then the octagon tower in 1830, and by cramping together the walls, it was found necessary in 1841 to take down the whole of the remainder of the tower, and both the transepts with the Vernon chapel [2] .
Source: Wikisource

Frederick Charles Plumptre Archaeological Journal (1847)

Each window is divided by a mullion with plain open head, and the inner arch is stilted in a remarkable manner, producing by no means a pleasing effect.
The Vernon chapel, as was before stated, was constructed late in the Decorated period, c. 1360, upon the walls of the former chapel. The Early English half pillars at each extremity of the arches had been retained, and were very beautiful examples, well worthy of imitation, the hollows of the mouldings, up to a certain height, being filled with bold roses; capitals in a different style were afterwards added to suit the Decorated arches.
Source: Wikisource

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