George Herbert Leigh Mallory

Biographical details

Portrait of George Herbert Leigh Mallory George Herbert Leigh Mallory,  The Eastern Approach (1922)

“ When all is said about Chomolungma, the Goddess Mother of the World, and about Chomo Uri, the Goddess of the Turquoise Mountain, I come back to the valley, the valley bed itself, the broad pastures, where our tents lay, where cattle grazed and where butter was made, the little stream we followed up to the valley head, wandering along its well-turfed banks under the high moraine, the few rare plants, saxifrages, gentians and primulas, so well watered there, and a soft, familiar blueness in the air which even here may charm us. ”
Source: Wikisource

Portrait of George Herbert Leigh Mallory George Herbert Leigh Mallory,  The Northern Approach (1922)

“ And yet Everest is a rugged giant. It has not the smooth undulations of a snow mountain with white snow cap and glaciated flanks. It is rather a great rock mass, coated often with a thin layer of white powder which is blown about its sides, and bearing perennial snow only on the gentler ledges and on several wide faces less steep than the rest. One such place is the long arm of the North-west arete which with its slightly articulated buttresses is like the nave of a vast cathedral roofed with snow. ”
Source: Wikisource

Portrait of George Herbert Leigh Mallory George Herbert Leigh Mallory,  The Eastern Approach (1922)

“ Even before the first glimmer of dawn the snow-mantled, slumbering monsters around us had been somehow touched to life by a faint blue light showing their form and presence–a light that changed as the day grew to a pale yellow on Everest and then to a bright blue-grey before it flamed all golden as the sun hit the summit and the shadow crept perceptibly down the slope until the whole mountain stood bare and splendid in the morning glory. ”
Source: Wikisource

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