George Herbert Leigh Mallory

George Herbert Leigh Mallory

Summary

Portrait of George Herbert Leigh Mallory George Herbert Leigh Mallory,  The Eastern Approach (1922)

“ When all is said about Chomolungma, the Goddess Mother of the World, and about Chomo Uri, the Goddess of the Turquoise Mountain, I come back to the valley, the valley bed itself, the broad pastures, where our tents lay, where cattle grazed and where butter was made, the little stream we followed up to the valley head, wandering along its well-turfed banks under the high moraine, the few rare plants, saxifrages, gentians and primulas, so well watered there, and a soft, familiar blueness in the air which even here may charm us. ”
Source: Wikisource

Portrait of George Herbert Leigh Mallory George Herbert Leigh Mallory,  The Eastern Approach (1922)

“ Even before the first glimmer of dawn the snow-mantled, slumbering monsters around us had been somehow touched to life by a faint blue light showing their form and presence–a light that changed as the day grew to a pale yellow on Everest and then to a bright blue-grey before it flamed all golden as the sun hit the summit and the shadow crept perceptibly down the slope until the whole mountain stood bare and splendid in the morning glory. ”
Source: Wikisource

Portrait of George Herbert Leigh Mallory George Herbert Leigh Mallory,  The Eastern Approach (1922)

“ Perhaps the astonishing charm and beauty here lie in the complications half hidden behind a mask of apparent simplicity, so that one's eye never tires of following up the lines of the great aretes, of following down the arms pushed out from their great shoulders, and of following along the broken edge of the hanging glacier covering the upper half of this Eastern face of Everest so as to determine at one point after another its relation with the buttresses below and with their abutments against the rocks which it covers. ”
Source: Wikisource

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