H. G. Dwight

Biographical details

H. G. Dwight,  Constantinople old and new (1915)

“ To many people the colour of Stamboul looks purely Turkish—at first sight. The simplest peasant of Asia Minor could not look at it often, however, without noticing things of an order strange to him—a sculptured capital lying in the street, bits of flowered marble set into a wall, a column as high as a minaret standing by itself, a dome of unfamiliar shape, and mosque walls mysterious with unreadable letters and the sacrilegious picturing of human forms, and ruined masonry or dark subterranean vaultings leading off into myth. ”
Source: Gutenberg

H. G. Dwight,  The Emperor of Elam, and other stories (1920)

“ It seemed to him that the darkness which fell while his thoughts were turning in this hopeless round was symbolic of an obscurity that for him had crept into the sunlight of the earth. And the things he had lost were as fairylike and unattainable as the magic city glittering there in the distance, above those shadowy arches printed against a river of gold.
He scrambled to the parapet and sat staring down into the underlying chasm. The twinkle of the Speedway and the jewelry of the opposite switches just made visible the water between. How black it was, and how noiseless—like another Lethe!
”
Source: Gutenberg

H. G. Dwight,  The Emperor of Elam, and other stories (1920)

“ Martin did think so. The consciousness of it suddenly overwhelmed him as they came out into the deserted square and crossed to the Via Santa Maria. He would not even have looked back, but for his companion.
“See!” she cried.
The dome of the baptistery, the roof of the cathedral, the top of the tower where they had been, were alight with a delicate rose glow which contrasted extraordinarily with the cold white of the lower shadow. The spectacle was to Martin symbolic and revealing. He saw as if apart from himself the romance of his day.
”
Source: Gutenberg

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