Karle Wilson Baker

Biographical details

Karle Wilson Baker The Garden of the Plynck

Sara had never enjoyed herself more than she did as she sat by the amber waters in the fading light, watching the kind, clumsy Koopf (who was yet so skilful at his own work) place the pretty globe with so much pride and pleasure. She kept sniffing, meanwhile, at the tantalizing perfume that seemed to sift downward from the feathers of the Plynck, as she stirred, ever so softly, in her dreams.
At last the Koopf took a large slice of onion, which the Snimmy's wife had left convenient, and rubbed it all around the base of the pedestal.
Source: Gutenberg

Karle Wilson Baker The Garden of the Plynck

As you have already guessed, the place into which Sara went when she shut the ivory doors was a sort of garden, but not an ordinary one. To be sure, it had the pool, and the fountain in the middle, and the moon-dial, like most gardens, and the Gugollaph-tree where the Plynck sat, and a good many prose-bushes besides the one with the hemmed doorknob where the Snimmy lived with his wife. But not many gardens have such charming little openings in the flowery hedges that shut them in, through which little paths run out as if they were escaping through sheer mischief, and on purpose to lead you on.
Source: Gutenberg

Karle Wilson Baker The Garden of the Plynck

The minute she got through the hedge she saw Avrillia, and, oh, loveliest of wonders! What were those? Flying around her hair, clinging to her silken skirts, dancing among the shell-flowers, swarming over the balcony, playing a dainty game up and down the marble stairs—oh, it was the children! The children were at home!
And when Avrillia saw Sara she came toward her with the loveliest look of welcome, the children hanging all around her like rose-garlands. And if Sara had loved Avrillia the day before, she could simply find no words now to express her adoration.
Source: Gutenberg

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