Sarah Tytler

Biographical details

Sarah Tytler,  Jane Austen and her works (1880)

“ Emma brings herself to ask, has Harriet any idea of Mr. Knightley’s returning her affection?
“Yes,” replies Harriet modestly, but not fearfully, “I must say I have.”
Emma is silent, in the bitterness of her heart. Why is it so much worse that Harriet should be in love with Mr. Knightley than with Mr. Churchill? Why is the evil so dreadfully increased by Harriet’s having some hope of a return of her love? There can only be one explanation—it darts through Emma’s mind with the swiftness of an arrow’s flight—Mr. Knightley must marry no one but herself.
”
Source: Gutenberg

Sarah Tytler,  Girlhood and Womanhood

“ Then take us both; in mercy leave not the other! In death let us not be divided!"
The pang was over; Leslie passed into insensibility. When she recovered herself, the spectres of that horrible dream still flitted around her, for did she not distinguish through the surge and the blast Hector Garret's foot speeding to receive his doom?
But "Leslie," not "Alice," was his cry. Beneath the very arches of Earlscraig, where fair Alice Boswell, her rich hair decked for one, her bright eyes sparkling for another, her sandal buckled for a third, had stood, and waved to him her hand—"Leslie! Leslie!"
”
Source: Gutenberg

Sarah Tytler,  The Old Masters and Their Pictures…

“ That central figure, standing with hands folded on His bosom, so gentle, so majestic, so perfect in blameless humanity, oh what labour of reverent thought; what toil of ceaseless meditation; what changes of fair purpose, oscillating into clearest vision of ideal truth, must it have cost the great painter, before he put forth that which we see now! It is as impossible to find aught but love and majesty in the Divine countenance, as it is to discover a blemish on the complexion of that body, which seems to give forth light from itself, as He stands in obedience, fulfilling all righteousness. ”
Source: Gutenberg

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