Lytton Strachey

“ Cardinal Wiseman was slowly dying; the tiller of the Church was slipping from his feeble hand; and Manning was beside him, the one man with the energy, the ability, the courage, and the conviction to steer the ship upon her course. More than that; there was the sinister figure of a Dr. Errington crouching close at hand, ready to seize the helm and make straight—who could doubt it?—for the rocks. In such a situation the voice of self-abnegation must needs grow still and small indeed. Yet it spoke on, for it was one of the paradoxes in Manning's soul that that voice was never silent. ”

“ Lord Stratford, Lord Raglan, Lady Stratford, Dr. Andrew Smith, Dr. Hall, the Commissary-General, the Purveyor—she fulminated against them all. The intolerable futility of mankind obsessed her like a nightmare, and she gnashed her teeth against it. "I do well to be angry," was the burden of her cry. How many just men were there at Scutari? How many who cared at all for the sick, or had done anything for their relief? Were there ten? Were there five? Was there even one? She could not be sure.
At one time, during several weeks, her vituperations descended upon the head of Sidney Herbert himself. ”

“ He is so absolute, so special a product of French genius, that it is well-nigh impossible for any one not born a Frenchman to appreciate him to the full; it is by his incompleteness, and to some extent even by his imperfections, that Molière gains. Of all the great French classics, he is the least classical. His fluid mind overflowed the mould he worked in. His art, sweeping over the whole range of comic emotions, from the wildest buffoonery to the grimmest satire and the subtlest wit, touched life too closely and too often to attain to that flawless beauty to which it seems to aspire. ”

“ The situation, indeed, was just such a one as the soul of Palmerston loved. There was danger and excitement, the necessity of decision, the opportunity for action, on every hand. A disciple of Canning, with an English gentleman's contempt and dislike of foreign potentates deep in his heart, the spectacle of the popular uprisings, and of the oppressors bundled ignominiously out of the palaces they had disgraced, gave him unbounded pleasure, and he was determined that there should be no doubt whatever, all over the Continent, on which side in the great struggle England stood. ”

“ Sometimes one just catches the glimpse of a claw beneath the soft pad, a grimace under the smile of elegance; and one remembers with a shock that, after all, one is reading the correspondence of a monkey and a cat.
Madame du Deffand's style reflects, perhaps even more completely than that of Voltaire himself, the common-sense of the eighteenth century. Its precision is absolute. It is like a line drawn in one stroke by a master, with the prompt exactitude of an unerring subtlety. There is no breadth in it—no sense of colour and the concrete mass of things. ”

“ Victoria was the Queen of England, the Empress of India, the quintessential pivot round which the whole magnificent machine was revolving—but how much more besides! For one thing, she was of a great age—an almost indispensable qualification for popularity in England. She had given proof of one of the most admired characteristics of the race—persistent vitality. She had reigned for sixty years, and she was not out. And then, she was a character. The outlines of her nature were firmly drawn, and, even through the mists which envelop royalty, clearly visible. ”

“ Of Miss Nightingale's friends, the most important was Sidney Herbert. He was a man upon whom the good fairies seemed to have showered, as he lay in his cradle, all their most enviable goods. Well born, handsome, rich, the master of Wilton—one of those great country-houses, clothed with the glamour of a historic past, which are the peculiar glory of England—he possessed—besides all these advantages: so charming, so lively, so gentle a disposition that no one who had once come near him could ever be his enemy. ”

“ It involved seclusion; and an extraordinary, an unparalleled seclusion was, it might almost have been said, the mainspring of Miss Nightingale's life. Lying on her sofa in the little upper room in South Street, she combined the intense vitality of a dominating woman of the world with the mysterious and romantic quality of a myth. She was a legend in her lifetime, and she knew it. She tasted the joys of power, like those Eastern Emperors whose autocratic rule was based upon invisibility, with the mingled satisfactions of obscurity and fame. ”

“ Purely as a master of prose Bossuet stands in the first rank. His style is broad, massive, and luminous; and the great bulk of his writing is remarkable more for its measured strength than for its ornament. Yet at times the warm spirit of the artist, glowing through the well-ordered phrases, diffuses an extraordinary splendour. When, in his Méditations sur l'Evangile or his Elévations sur les Mystères, Bossuet unrolls the narratives of the Bible or meditates upon the mysteries of his religion, his language takes on the colours of poetry and soars on the steady wings of an exalted imagination. ”

“ His tragedy, like Hamlet's, was the tragedy of an over-powerful will—a will so strong as to recoil upon itself, and fall into indecision. It is easy for a weak man to be decided—there is so much to make him so; but a strong man, who can do anything, sometimes leaves everything undone. Fortunately Beddoes, though he did far less than he might have done, possessed so rich a genius that what he did, though small in quantity, is in quality beyond price. 'I might have been, among other things, a good poet,' were his last words. ”

“ And her dear Mamma ... of course, she loved her too; it was her duty; and yet—she could not tell why it was—she was always happier when she was staying with her Uncle Leopold at Claremont. There old Mrs. Louis, who, years ago, had waited on her cousin Charlotte, petted her to her heart's content; and her uncle himself was wonderfully kind to her, talking to her seriously and gently, almost as if she were a grown-up person. She and Feodora invariably wept when the too short visit was over, and they were obliged to return to the dutiful monotony and the affectionate supervision of Kensington. ”

“ The glare and the heat of that southern atmosphere, the movement of the crowded city, the dark-faced populace, the soldiers and the suppliants, the reawakened consciousness of power, the glamour and the mystery of the whole strange scene—these things seized upon him, engulfed him, and worked a new transformation on his intoxicated heart. England, with its complications and its policies, became an empty vision to him; Sir Evelyn Baring, with his cautions and sagacities, hardly more than a tiresome name. He was Gordon Pasha, he was the Governor-General, he was the ruler of the Sudan. ”

“ But, in the heyday of the age of Louis XIV, literature showed no signs of such a malady—though no doubt it contained the latent germs of the disease; on the contrary, the masterpieces of that epoch are charged to the full with vitality and force. We may describe them, in one word, as worldly—worldly in the broadest and the highest acceptation of the term. They represent, in its perfect expression, the spirit of this world—its greatness, its splendour, its intensity, the human drama that animates it, the ordered beauty towards which it tends. ”

“ How subtle and how dangerous are the snares which fate lays for the wariest of men! Albert, certainly, seemed to be everything that Stockmar could have wished—virtuous, industrious, persevering, intelligent. And yet—why was it—all was not well with him? He was sick at heart.
For in spite of everything he had never reached to happiness. His work, for which at last he came to crave with an almost morbid appetite, was a solace and not a cure; the dragon of his dissatisfaction devoured with dark relish that ever-growing tribute of laborious days and nights ”

“ Among those quick, strong, fiery people of the eighteenth century, he belonged to another world—to the new world of self-consciousness, and doubt, and hesitation, of mysterious melancholy and quiet intimate delights, of long reflexions amid the solitudes of Nature, of infinite introspections amid the solitudes of the heart. Who can wonder that he was misunderstood, and buffeted, and driven mad? Who can wonder that, in his agitations, his perplexities, his writhings, he seemed, to the pupils of Voltaire, little less than a frenzied fiend? 'Cet homme est un forcené!' Diderot exclaims. ”

“ The saintly, self-sacrificing woman, the delicate maiden of high degree who threw aside the pleasures of a life of ease to succour the afflicted; the Lady with the Lamp, gliding through the horrors of the hospital at Scutari, and consecrating with the radiance of her goodness the dying soldier's couch. The vision is familiar to all—but the truth was different. The Miss Nightingale of fact was not as facile as fancy painted her. She worked in another fashion and towards another end; she moved under the stress of an impetus which finds no place in the popular imagination. A Demon possessed her. ”

“ The whole vast spirit of the Renaissance is gathered within its pages: the tremendous vitality, the enormous erudition, the dazzling optimism, the courage, the inventiveness, the humanity, of that extraordinary age. And these qualities are conveyed to us, not by some mere conscientious pedant, or some clumsy enthusiast, but by a born writer—a man whose whole being was fixed and concentrated in an astonishing command of words. It is in the multitude of his words that the fertility of Rabelais' spirit most obviously shows itself. ”

“ With youth and happiness gilding every hour, the days passed merrily enough. And each day hinged upon Lord Melbourne. Her diary shows us, with undiminished clarity, the life of the young sovereign during the early months of her reign—a life satisfactorily regular, full of delightful business, a life of simple pleasures, mostly physical—riding, eating, dancing—a quick, easy, highly unsophisticated life, sufficient unto itself. The light of the morning is upon it; and, in the rosy radiance, the figure of 'Lord M.' emerges, glorified and supreme. If she is the heroine of the story, he is the hero ”

“ Though Voltaire's reputation now rests mainly on his achievements as a precursor of the Revolution, to the eighteenth century he was as much a poet as a reformer. The whole of Europe beheld at Ferney the oracle, not only of philosophy, but of good taste; for thirty years every scribbler, every rising genius, and every crowned head, submitted his verses to the censure of Voltaire; Voltaire's plays were performed before crowded houses; his epic was pronounced superior to Homer's, Virgil's, and Milton's; his epigrams were transcribed by every letter-writer, and got by heart by every wit. ”

“ More than one observer declared that ambition was, in reality, the essential motive in his life: ambition, neither for wealth nor titles, but for fame and influence, for the swaying of multitudes, and for that kind of enlarged and intensified existence 'where breath breathes most even in the mouths of men'. Was it so? In the depths of Gordon's soul there were intertwining contradictions—intricate recesses where egoism and renunciation melted into one another, where the flesh lost itself in the spirit, and the spirit in the flesh. ”

“ FROISSART has filled his splendid pages with 'the pomp and circumstance of glorious war'. Though he spent many years and a large part of his fortune in the collection of materials for his history of the wars between France and England, it is not as an historian that he is now remembered; it is as a writer of magnificent prose. His Chroniques, devoid of any profundity of insight, any true grasp of the movements of the age, have rarely been paralleled in the brilliance and animation of their descriptions, the vigour of their character-drawing, the flowing picturesqueness of their style. ”