Summary

1911 Encyclopædia Britannica, Volume 14… (1911)

Difference in intensity is not a wholly satisfactory ground of distinction; abnormal physical conditions apart, an image may have an intensity far greater than that of a sense-given impression. On the other hand, Hume is certainly right in holding that the distinctive character of a percept as compared with an image is in all ordinary cases the force and liveliness with which it strikes the mind—the distinction, therefore, being one of quality, not of degree.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 14… (1911)

IMAGE (Lat. imago, perhaps from the same root as imitari, copy, imitate) , in general, a copy, representation, exact counterpart of something else. Thus the reflection of a person in a mirror is known as his “image”; in popular usage one person is similarly described as “the very image” of another; so in entomology the term is applied in its Latin form imago to an insect which, having passed through its larval stages, has achieved its full typical development.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 14… (1911)

This arises partly, no doubt, from the fact that the perception has clear localization, which the image has not. In many cases indeed an image even of a most familiar scene is exceedingly vague and inaccurate.
In Art the term is used for a representation or likeness of an animate or inanimate object, particularly of the figure of a person in sculpture or painting. The most general application of the word is to such a representation when used as an object of religious worship or adoration, or as a decorative or architectural ornament in places of religious worship.
Source: Wikisource

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