Summary

1911 Encyclopædia Britannica, Volume 17… (1911)

Definition of Magic.—To arrive at a definition of magic we may either follow the a priori road mapped out by Frazer and decline to recognize the distinction actually drawn by various societies between magical and religious practices; or we may ask what magic and corresponding terms actually connote. Frazer’s method ignores the fact that magic, like religion, is an institution, i.e. a product of society, not of any single individual; there is no more reason to suppose that a child reared in isolation would develop any kind of magical practices than that it would invent for itself a religion
Source: Wikisource

1911 Encyclopædia Britannica, Volume 17… (1911)

We must, it appears, determine the relation of magic to religion by an analysis of the conceptions of those who believe in both; but in so doing we must consider that, like all other institutions, magic has a history. Even if we go back to the 16th century and take the view of magic then held by the average European, it is still a complex idea. When we ask what the most primitive races now on the earth regard as magic, we are applying to their ideas a touchstone made for a very different age and culture
Source: Wikisource

1911 Encyclopædia Britannica, Volume 17… (1911)

If, however, we reverse the process and ask what elements of primitive institutions correspond most nearly to later conceptions of magic, we can at once say that the forbidden and private arts are the prototypes of the magic of later times. Magic is therefore the practice of maleficent arts which involve the use of religio-magical power, with perhaps a secondary idea of the use of private arts, which are to benefit, not the community as a whole, but a single individual. Religion in the lower stages of culture is essentially the tribal creed which all practise and in which all believe
Source: Wikisource

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