Summary

Portrait of A. E. W. Mason A. E. W. Mason The Four Feathers — I: A Crimean Night (1902)

A muffled sound of voices came from the other side of the door panels, but the hall itself was silent. Harry stood remarkably still, and the only thing which moved at all was the yellow flame of the candle as it flickered apparently in some faint draught. The light wavered across the portraits, glowing here upon a red coat, glittering there upon a corselet of steel. For there was not one man's portrait upon the walls which did not glisten with the colours of a uniform, and there were the portraits of many men. Father and son, the Fevershams had been soldiers from the very birth of the family.
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Four Feathers — I: A Crimean Night (1902)

From some there broke a half-uttered exclamation of disbelief; others moved restlessly in their chairs with a sort of physical discomfort, because a man had sunk so far below humanity. Here an officer gulped his wine, there a second shook his shoulders as though to shake the knowledge off as a dog shakes water. There was only one in all that company who sat perfectly still in the silence which followed upon the story. That one was the boy, Harry Feversham.
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Four Feathers — I: A Crimean Night (1902)

For once General Feversham relaxed the iron discipline under which the boy lived.
"Very well," said he. "Harry shall have an hour's furlough from his bed. A single hour won't make much difference."
Harry's eyes turned toward his father, and just for a moment rested upon his face with a curious steady gaze. It seemed to Sutch that they uttered a question, and, rightly or wrongly, he interpreted the question into words:—
"Are you blind?"
But General Feversham was already talking to his neighbours, and Harry quietly sat down, and again propping his chin upon his hands, listened with all his soul.
Source: Wikisource

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