A. E. W. Mason

A. E. W. Mason

Summary

Portrait of A. E. W. Mason A. E. W. Mason The House of the Arrow (1924)

They could see dimly the courtyard and the great carriage doors in the wall at the end of it, and they waited; Jim Frobisher under such a strain of dread and expectancy that each second seemed an hour, and he wondered at the immobility of his companions. The only sound of breathing that he heard came from his own lungs.
In a while Hanaud laid a hand upon his sleeve, and the clasp of the hand tightened and tightened. Motionless though he stood like a man in a seizure, Hanaud too was in the grip of an intense excitement. For one of the great leaves of the courtyard door was opening silently.
Source: Gutenberg

Portrait of A. E. W. Mason A. E. W. Mason The House of the Arrow (1924)

Betty's voice rang with so evident a sincerity, there was so strong a passion of appeal, for peace, for an end of suspicion, for a right to forget and be forgotten, that Jim fancied no man could resist it. Indeed, Hanaud sat for a long while with his eyes bent upon the table before he answered her. But when at last he did, gently though his voice began, Jim knew at once that she had lost.
"You argue and plead very well, Mademoiselle Betty," he said. "But we have each of us our little creeds by which we live for better or for worse.
Source: Gutenberg

Portrait of A. E. W. Mason A. E. W. Mason The House of the Arrow (1924)

Her mouth is covered and held by Francine Rollard. The needle does its work. 'That will do now,' whispers Betty Harlowe. But at the door of the treasure-room in the darkness Ann Upcott is standing, unable to identify the voice which whispered, just as you and I were unable, Monsieur, to identify a voice which whispered to us from the window of Jean Cladel's house, but taking deep into her memory the terrible words.
Source: Gutenberg

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