Summary

Portrait of A. E. W. Mason A. E. W. Mason The Summons — XXI: The Magnolia Flowers (1920)

Men were for women, women for men, especially for those men who went out with a cheery song in their mouths to save them from the hideous destiny of women in ravaged lands. The soldier was here to-day on leave, and God alone knew where he would be to-morrow, and whether alive, or perhaps a crippled thing like a child!
Joan Whitworth and Harry Luttrell had been touched by the swift magic of those days; he, when he had first seen her in the shining armour of her youth upon the steps of the stairs; she, when Harry had first entered the hall and spoken his few commonplace words of greeting.
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Summons — XXI: The Magnolia Flowers (1920)

It seemed that the presiding genius of the maze was uttering his invocation as the sun went down. Joan and Harry Luttrell crept stealthily nearer, Harry now openly guided by a light touch upon his arm as the paths twisted. Words—amazing words—became distinctly audible; and a familiar voice. They came to the last screen of hedge and peered through at a spot where the twigs were thin.
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Summons — XXI: The Magnolia Flowers (1920)

Hillyard looked quickly round the hall, as a qualm of pity for Stella Croyle seized him. But he could not see her. "Thank Heaven she has already gone up to dress," he said to himself. A marriage between Joan Whitworth and the Harry Luttrell of to-day, the man freed now from the great obsession of his life and trained now to the traditional paths, was a fitting thing, a thing to be welcomed. Hillyard readily acknowledged it. But he had more insight into the troubled soul of Stella Croyle than any one else in that company.
"No one's bothering about her," he reflected.
Source: Wikisource

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