A. M. Williamson

A. M. Williamson

Summary

Portrait of A. M. Williamson A. M. Williamson,  The Second Latchkey

“ Her hammock was screened from the light by one dark shadow, like a straight-hung curtain. Save for the music of a fiddle and men's voices, the silver-white world lay silent in enchanted sleep.
Then suddenly something moved. A tall, dark figure was coming to the veranda. It paused at the cactus fence.
Could it be Knight, home already and on foot? No, it was a woman.
She walked straight and fast and unhesitating to the veranda, where she sat down on the steps.
Annesley raised herself on her elbow, and peered out of the concealing shadow. Who could the woman be?
”
Source: Gutenberg

Portrait of A. M. Williamson A. M. Williamson,  The Second Latchkey

“ When, later on, she saw her guest dressed for dinner, the girl realized even more vividly the genius of the artist who had planned the picture. For the Countess de Santiago wore a clinging gown made in Greek fashion, of a supple white material shot with interwoven silver threads. She wore her copper-red hair in a classic knot with a wreath of emerald laurel leaves.
She would gleam like a moonlit statue in her lily-perfumed, purple shrine, Annesley thought, and was not surprised that the lady should achieve an instant success with the county folk who had begged for an invitation to meet her.
”
Source: Gutenberg

Portrait of A. M. Williamson A. M. Williamson,  The Second Latchkey

“ By heaven, Anita, it does seem hard, just as I was near to being the man you thought me, that that dried-up curmudgeon Ruthven Smith should call my hand and make me show you the man I was! But I can't help seeing there's a kind of—what they call poetical justice in it, the blow coming from him. I've always been like that: seeing both sides of a thing even when I wanted to see only one. But if you can see both sides, you will make the good grow, as the bright side of the moon grows, and turns the dark side to gold. ”
Source: Gutenberg

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