Summary

A Marriage Under the Terror

“ His altered tone and grave manner softened Aline's mood. "Indeed, Citizen," she cried on the impulse, "you have been very kind to me. I am not ungrateful—I have too few friends for that."
"Do you count me a friend, Citoyenne?"
Mademoiselle drew back a shade.
"What is a friend—what is friendship?" she said more lightly.
And Dangeau sought for cool and temperate words.
"Friendship is mutual help, mutual good-will—a bond which is rooted in honour, confidence, and esteem. A friend is one who will neither be oppressive in prosperity nor faithless in adversity," he said.
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Source: Gutenberg

A Marriage Under the Terror

“ Every one must take a holiday some time, and it is exciting, this spectacle; I can tell you it is exciting. The first time I was like you, I said no, I can't, I can't; but see you, I could think of nothing else, and at last, Thérèse persuaded me. Then I sat, and shivered—yes, like a jelly—and saw ten knives, and ten heads, and half a dozen Citizen Sansons—but after that it went better, and better. Come, then, and see for yourself, Marie," and she put a heavy hand on the girl's shrinking shoulder.
White-faced, Aline recoiled.
"Oh, Citoyenne," she breathed, and shrank away.
”
Source: Gutenberg

A Marriage Under the Terror

“ The crowd swayed, hypnotised by the rolling voice, for Dangeau had the tones that thrill, that stir, that soothe. We do not always understand the fame of dead-and-gone orators. Their periods leave us cold, their arguments do not move us, their words seem no more eloquent than another's; and yet, in their day, these men swept a whirlwind of emotion, colour, life, conviction, into their hearers' hearts. Theirs was the gift of temperament and tone. As the inspired musician plays upon his instrument, so they on theirs,—that oldest and most sensitive instruments of all, the human heart. ”
Source: Gutenberg

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