A. T. Quiller-Couch

A. T. Quiller-Couch

Summary

Portrait of A. T. Quiller-Couch A. T. Quiller-Couch John and the Ghosts (1901)

If you're in the swindle too, my mind is easier,” said John, and signed his name with a flourish. “But a bargain is a bargain, and what security have I for your part in it?”
“Our signature!” said the priest terribly, at the same moment pressing his branding-iron into John's ankle. A smell of burnt cork arose as John stooped and clapped his hand over the scorched stocking. When he looked up again his visitors had vanished; and a moment later the strange light, too, died away.
But the coffin remained for evidence that he had not been dreaming. John lit a candle and examined it.
Source: Wikisource

Portrait of A. T. Quiller-Couch A. T. Quiller-Couch John and the Ghosts (1901)

The bridegroom followed; and so did the wedding-guests, since no one opposed them.
The hall and staircase were decorated with palms and pot-plants, flags and emblems of Illyria; and in the great drawing-room—which they entered while John persuaded the King to a seat—they found many rows of morocco-covered chairs, a miniature stage with a drop representing the play-scene in Hamlet, a row of footlights, a boudoir-grand piano, and a man seated at the keyboard whom they recognised as a performer in much demand at suburban dances.
Source: Wikisource

Portrait of A. T. Quiller-Couch A. T. Quiller-Couch John and the Ghosts (1901)

The Princess was pale. John, on the contrary, who sat facing her father in the State Coach, smiled with a cheerfulness which, in the circumstances, seemed a trifle under-bred. The wedding-guests followed in twenty-four chariots. Their cards of invitation had said “Two to five-thirty p.m.,” and it was now eight o'clock; but they could not resist the temptation to see the last of “the poor dear thing,” as they agreed to call the bride.
Source: Wikisource

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