A. T. Quiller-Couch

A. T. Quiller-Couch

Summary

Portrait of A. T. Quiller-Couch A. T. Quiller-Couch The Keepers of the Lamp (1900)

Happy days followed: blue and white days—days vaulted and floored with blue, flashing with white granite, with the rush of white water beneath the shadow of the leaning sail, with white cirrus clouds, with white wings of seabirds. It was the height of the nesting season, and the birds had brought us to the islands; my father with paint-box and camera, though—our time being short—he relied almost wholly on the latter. A naturalist, and by temper the gentlest of men, in his methods he was a born pioneer.
Source: Wikisource

Portrait of A. T. Quiller-Couch A. T. Quiller-Couch The Keepers of the Lamp (1900)

You can hardly imagine how cumbrous and well-nigh hopeless a business it was in those days, not so long past, to pursue after wild life with a camera; but a thousand disheartening failures left him still grasping the inviolable shade, still confident that in photography, if it could only be given with rapidity and precision, lay the naturalist's hope. Blurred negatives were all the spoil, and sorry enough, we bore back after long days of tossing and climbing among the Outer Islands; but we had the reward of living among the birds.
Source: Wikisource

Portrait of A. T. Quiller-Couch A. T. Quiller-Couch The Keepers of the Lamp (1900)

Night by night the first flash of the Off Island lamp carried her lover's message to her, and as Seth explained (but it needed no explanation) , at that signal she blotted out yet one more of the days between her and the marriage day.
Off Island rose from the sea a sheer mass of granite, about a hundred and fifty feet in height, and all but inaccessible had it not been for a rock stairway hewn out by the Brethren of the Trinity House. The keepers had spied our boat, and a tall young man stood on one of the lower steps to welcome us: not Reuben, but Reuben's younger brother Sam.
Source: Wikisource

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