Summary

AE The Candle of Vision — The Architecture of Dream (1918)

A mood may attract its affinities but it does not create what it attracts, and between anger and a definite vision of conflict there is a gulf as mysterious as there was between Aladdin's desire and the building of his marvellous palace.
I desire a house, but desire does not build it.
I design a house, but every line is drawn with full consciousness, and when I give the plan to the builder every brick is placed with full consciousness by the masons.
No coherent architecture in city or dream arises magically by some unreason which translates bodiless desire into organic form.
Source: Wikisource

AE The Candle of Vision — The Architecture of Dream (1918)

I have tried to reason over it with myself, as I would with a sequence of another character, to deduce from a sequence better than could be done from a single vision, valid reasons for believing that there must be a conscious intellect somewhere behind the sequence.
But I cannot reason over it.
I only know that I look everywhere in the face of youth, in the aspect of every new notability, hoping before I die to recognise the broad-browed avatar of my vision.
Source: Wikisource

AE The Candle of Vision — The Architecture of Dream (1918)

As an artist who has laboured slowly at the creation of pictures I assert that the forms of dream or vision if self-created require a conscious artist to arrange them, a magician to endow them with life, and that the process is intellectual, that is, it is conscious on some plane of being, though that self which sits in the gate of the body does not know what powers or dignitaries meet in the inner palace chambers of the soul.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature