In film, a sequence refers to a series of scenes forming a distinct narrative unit, often unified by location or time, and serves as a structural component within larger acts or stories. This concept extends beyond cinema into philosophical and logical discourse, where thinkers like Josiah Royce examined succession as a framework for understanding empirical uniformities, while John Stuart Mill categorized it alongside causation and coexistence as a fundamental abstraction.
Authors such as James Mill and Thorstein Veblen explored succession in terms of psychological associations and processes, emphasizing its role in linking events through observable or material connections. The theme bridges cinematic storytelling and metaphysical inquiry, revealing how succession functions both as a narrative tool and a conceptual lens for analyzing causality and temporal flow.