George Eliot

Biographical details

Portrait of George Eliot George Eliot,  Daniel Deronda (1876)

“ Genius at first is little more than a great capacity for receiving discipline. Singing and acting, like the fine dexterity of the juggler with his cups and balls, require a shaping of the organs towards a finer and finer certainty of effect. Your muscles—your whole frame—must go like a watch, true, true, true, to a hair. That is the work of spring-time, before habits have been determined."
"I did not pretend to genius," said Gwendolen, still feeling that she might somehow do what Klesmer wanted to represent as impossible. "I only supposed that I might have a little talent—enough to improve."
”
Source: Wikisource

Portrait of George Eliot George Eliot,  Adam Bede

“ She thought of all she had left behind with yearning regret for her own sake. Her own misery filled her heart—there was no room in it for other people’s sorrow. And yet, before the cruel letter, Arthur had been so tender and loving. The memory of that had still a charm for her, though it was no more than a soothing draught that just made pain bearable. For Hetty could conceive no other existence for herself in future than a hidden one, and a hidden life, even with love, would have had no delights for her; still less a life mingled with shame. ”
Source: Gutenberg

Portrait of George Eliot George Eliot,  Middlemarch (1872)

“ Casaubon; but prejudices, like odorous bodies, have a double existence both solid and subtle—solid as the pyramids, subtle as the twentieth echo of an echo, or as the memory of hyacinths which once scented the darkness. And Will was of a temperament to feel keenly the presence of subtleties: a man of clumsier perceptions would not have felt, as he did, that for the first time some sense of unfitness in perfect freedom with him had sprung up in Dorothea’s mind, and that their silence, as he conducted her to the carriage, had had a chill in it. ”
Source: Gutenberg

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