George Eliot

George Eliot

Middlemarch (1872)

Summary

Portrait of George Eliot George Eliot,  Middlemarch (1872)

“ That is how his family look so fair and sleek," said Mrs Cadwallader. "Those dark, purple-faced people are an excellent foil. Dear me, they are like a set of jugs! Do look at Humphrey: one might fancy him an ugly archangel towering above them in his white surplice."
"It's a solemn thing, though, a funeral," said Mr Brooke, "if you take it in that light, you know."
"But I am not taking it in that light. I can't wear my solemnity too often, else it will go to rags. It was time the old man died, and none of these people are sorry."
"How piteous!" said Dorothea.
”
Source: Wikisource

Portrait of George Eliot George Eliot,  Middlemarch (1872)

“ Those words of Lydgate’s were like a sad milestone marking how far he had travelled from his old dreamland, in which Rosamond Vincy appeared to be that perfect piece of womanhood who would reverence her husband’s mind after the fashion of an accomplished mermaid, using her comb and looking-glass and singing her song for the relaxation of his adored wisdom alone. He had begun to distinguish between that imagined adoration and the attraction towards a man’s talent because it gives him prestige, and is like an order in his button-hole or an Honorable before his name. ”
Source: Gutenberg

Portrait of George Eliot George Eliot,  Middlemarch (1872)

“ From the time of that parting, Dorothea, believing in Will’s love for her, believing with a proud delight in his delicate sense of honor and his determination that no one should impeach him justly, felt her heart quite at rest as to the regard he might have for Mrs. Lydgate. She was sure that the regard was blameless.
There are natures in which, if they love us, we are conscious of having a sort of baptism and consecration: they bind us over to rectitude and purity by their pure belief about us; and our sins become that worst kind of sacrilege which tears down the invisible altar of trust.
”
Source: Gutenberg

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