George Eliot,
Daniel Deronda
(1876)
“ Genius at first is little more than a great capacity for receiving discipline. Singing and acting, like the fine dexterity of the juggler with his cups and balls, require a shaping of the organs towards a finer and finer certainty of effect. Your muscles—your whole frame—must go like a watch, true, true, true, to a hair. That is the work of spring-time, before habits have been determined." "I did not pretend to genius," said Gwendolen, still feeling that she might somehow do what Klesmer wanted to represent as impossible. "I only supposed that I might have a little talent—enough to improve." ”

