Achmed Abdullah

Achmed Abdullah

Summary

Portrait of Achmed Abdullah Achmed Abdullah Mr. Jimmy Delane of Broadway (1917)

McParland was trying to doublecross him—but why should he?
Why? Jimmy had always been loyal, always on the job.
Yes—why?—and, the next moment, he made a shrewd guess at the real reason.
It was Chloe’s fault, he decided. Chloe must have noticed that he’d had many a whispered conversation among the dusty stage litter with the little girl, June Trainor, who was her substitute—the little girl with the russet mane and the grey eyes whom he had invited to dinner tonight—the little girl whom he loved—the little girl whom she feared and envied because of her youth and her talent.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah Mr. Jimmy Delane of Broadway (1917)

Even the cynic who played the slide-trombone felt a thrill of surprise trickling down his spine and, while the two-and-a-half dollar élite in the orchestra seats showed their native democracy by joining in the applause from upstairs by twos and threes—finally by whole rows—the enthusiast in the gallery gave vent to his feelings by rising in all the ragged, tattered, hirsute glory of a city tramp and shouting raucously to the blushing, curtseying ingenue:
“Great dope, kid! Let’s hear it once more!”—
And then encouraging shouts from all over the theater, echoing the demand of the olympian.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah Mr. Jimmy Delane of Broadway (1917)

Didn’t ya see?”
“What?”—innocently from Jimmy—and McParland’s hissing reply: “Chloe Van Zyle did not play tonight! She’s got a cold! That was her substitute—that was young June Trainor whom your blanketty-blank tramp applauded, you big piece of goulash! Chloe hates her—and you—hang you!—you went and made her! Didn’t ya hear me whisper as you passed me in the lobby to tell your tramp to can the enthusiasm?”
Source: Wikisource

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