Agnes Maule Machar

Agnes Maule Machar

Summary

Portrait of Agnes Maule Machar Agnes Maule Machar Down the River to the Sea

Kate and Flora preferred, on the whole, the play of color and cheerful light of day, while Hugh Macnab endorsed May’s preference for the moonlight, which is as effective at Niagara as at Melrose Abbey. They sat long on the piazza that night, saying little, but silently enjoying the marvelous scene—the glory of the white, shimmering water, the solemn majesty of the ascending column of misty spray, and the strong contrast of light and shade—until the picture seemed to have become a part of their mental consciousness, never to be forgotten and a “joy forever.”
Source: Gutenberg

Portrait of Agnes Maule Machar Agnes Maule Machar Down the River to the Sea

No one said much; even the lively Kate lapsed from her office of cicerone, or, rather, best fulfilled it, by her silence; for, when the infinite in Nature speaks, the human voice may well be still. And how grand a voice was that which the cataract was speaking,—even to the outward ear! The “voice of many waters”—mighty as thunder, yet soft as a summer breeze—seemed to leave the whole being immersed and absorbed in the ceaseless rush and roar of the “Thunder of Waters”—the majesty of whose motion appeared to be, itself, repose.
Source: Gutenberg

Portrait of Agnes Maule Machar Agnes Maule Machar Down the River to the Sea

At one point, the shore of the island to their right, rose picturesquely into high banks clothed with a rich growth of light, fluttering birch and sombre cedar, the contrast of which delighted the travelers. There was quite a romantic-looking landing here, beside an old ruined lime-kiln, and the road wound picturesquely up the wooded height, the two or three figures seen walking up the winding path, as the boat receded, looking—May declared—“just like people in the beginning of a story.”
“And so they are—or in the middle of it,” said Mr. Winthrop.
Source: Gutenberg

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