Harold Speed, The Practice and Science of Drawing
“ And whenever you get long vertical lines in a composition, no matter whether it be a cathedral interior, a pine forest, or a row of scaffold poles, you will always have the particular feeling associated with rows of vertical lines in the abstract. And further, whenever you get the swinging lines of the volute, an impression of energy will be conveyed, no matter whether it be a breaking wave, rolling clouds, whirling dust, or only a mass of tangled hoop iron in a wheelwright's yard. ”
