Vertical

Definition and stakes

Harold Speed,  The Practice and Science of Drawing

“ And whenever you get long vertical lines in a composition, no matter whether it be a cathedral interior, a pine forest, or a row of scaffold poles, you will always have the particular feeling associated with rows of vertical lines in the abstract. And further, whenever you get the swinging lines of the volute, an impression of energy will be conveyed, no matter whether it be a breaking wave, rolling clouds, whirling dust, or only a mass of tangled hoop iron in a wheelwright's yard. ”
Source: Gutenberg

Portrait of James Sully James Sully,  Popular Science Monthly (1880)

“ The superior importance of the vertical and horizontal directions, the specially restful character of the horizontal, and the aspiring aspect of the vertical, the voluptuous nature of the curve as opposed to the severity of the straight line, point to the deeper and fuller experiences of movement, muscular exertion, and repose, which we obtain apart from the eye. Even the value of bilateral symmetry for the eye may owe something to that well-marked rhythmic contrast of right and left, which the movements of the tactual organ yield to us. ”
Source: Wikisource

De Witt H. Parker,  The Principles of Aesthetics

“ We interpret vertical lines as moving upward, partly because the eye moves upward in scanning them, partly because we ourselves move in lines of this general direction in going from the bottom to the top of a building. Even when we are at the top of a building we apprehend its vertical lines as rising rather than as descending, because we ourselves had to rise in order to get there. ”
Source: Gutenberg

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