Herbert Basedow

Herbert Basedow

Summary

Portrait of Herbert Basedow Herbert Basedow,  The Australian aboriginal (1925)

“ By this time the unfortunate dugong is so much weakened that it cannot travel far without coming to the surface frequently; and every time it does another spear is planted into its body. Before long it caves in; a final swish with its powerful tail, a quiver throughout the body, and its helpless carcase is in the hands of the elated hunters. The victorious shouting or singing of the men in the canoe is echoed by those watching the hunt on shore, the latter, moreover, in their excitement usually starting a wild sort of dance on the sand. ”
Source: Gutenberg

Portrait of Herbert Basedow Herbert Basedow,  The Australian aboriginal (1925)

“ In his songs the aboriginal portrays the hate for his foe with vehemence, the love for his child with affection, the spirit of the chase with lustfulness, the cunning of his prey with counter-deception, and the dignity of his forbears with veneration. As the pulsations of his temperament and passion sway his mind, so his voice rises or falls in harmony with the flush of joy or the gloom of sorrow. ”
Source: Gutenberg

Portrait of Herbert Basedow Herbert Basedow,  The Australian aboriginal (1925)

“ At Fowler’s Bay, the men like no dance so much as one which caricatures a woman on a collecting excursion. The performer walks from the darkness of night into the bright glare produced by the camp-fire, with an exaggerated bend of the knees and a loudly perceptible stamp of the feet. Over one of his shoulders he carries a collecting bag, and as he moves forwards and sideways, his eyes are rivetted to the ground in front of him ”
Source: Gutenberg

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