Summary

Albert Keim and Louis Lumet Honoré de Balzac — Chapter 8: At Les Jardies

How delightful it was to live at Les Jardies! It required not more than ten minutes to reach the heart of Paris, the Madeleine, and it cost but ten sous. The Rue des Batailles and the Rue Cassini were at the other end of the world, and you must needs spend a couple of francs for the shortest drive which wasted an hour,—such was the fashion in which Balzac dreamed! And he would gaze at his acre of ground, bare, ploughed-up clay, without a tree or a blade of grass, and he found no trouble in transforming it mentally into an eden of "plants, fragrance and shrubbery."
Source: Wikisource

Albert Keim and Louis Lumet Honoré de Balzac — Chapter 8: At Les Jardies

Balzac now staked all his hopes upon his first play, Vautrin, which was about to be produced at the Porte Saint-Martin theatre. From the very outset of his literary career his thoughts had steadily turned to the drama, and his earliest attempt had been that ill-fated Cromwell, which had failed so ignominiously when read to his family. Yet this setback had not definitely turned him aside from the stage; and, while he rather despised the theatre as a means of literary expression, he had never ceased to consider it as the most rapid method of earning money and founding a fortune.
Source: Wikisource

Albert Keim and Louis Lumet Honoré de Balzac — Chapter 8: At Les Jardies

Victor Hugo had revealed to him the enormous profits that he drew from his dramatic writings, and it is easy to believe that Balzac's persistent efforts to have a play produced were due to the momentary glimpse of a steady stream of wealth that was thus flashed before his dazzled eyes. After the catastrophe of Vautrin, he still pursued his dramatic ambitions with Pamela Giraud and Mercadet, but failed to find any theatre that would consent to produce them. What was worse, the year 1840 was, beyond all others, a frightful one for Balzac.
Source: Wikisource

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