Summary

The New International Encyclopædia…

His novels were to be as a secretary's minutes, ideal in conception, but real in detail, shrinking from neither vice nor passion, because these are the motive forces that melt and recast human nature, but giving to religion its due place, and making virtue not only lovable but interesting. That is what he undertook to do, and though his work is incomplete, he left no part unessayed. He has a right to ask that his work be judged as a whole, by the good as well as by the evil. Like that other Comedy of Dante, his Human Comedy has its Hell, but it has also its Purgatory and its Paradise.
Source: Wikisource

The New International Encyclopædia…

Balzac died in Paris, August 18, 1850, at the height of his fame; but he was hardly appreciated at his true value until the epoch-making study of Taine (1865) showed him to be truly classic, one of the world's greatest creators in imaginative literature. The dominant trait in his style, imagination, and thought is exuberant virility. He has the animal and the intellectual intemperance of a romantic realist. He observes with minute accuracy, but it is with a poet's vision. He is of his world, yet he dominates it. No depths, no heights, of human nature seem foreign to him.
Source: Wikisource

The New International Encyclopædia…

It is a work of criticism, analysis, and investigation, to be enjoyed in its parts, but to be understood only as a whole. Balzac divided his Human Comedy into Scenes of Private Life, of Provincial Life, of Parisian Life, of Country Life, of Politics and War, and to these he added Studies, philosophical and analytic. There are those who admire the analytic acumen displayed in this division; but as Balzac frequently transferred tales and novels from one to another group to suit his fancy or a publisher's convenience, it seems time wasted to stress the classification.
Source: Wikisource

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