Algernon Blackwood

Algernon Blackwood

Summary

Portrait of Algernon Blackwood Algernon Blackwood An Arab Pilgrimage

And we outsiders get no nearer, ask, stare, and follow as we may. The gulf is not bridged that lies between our minds and theirs. In vain we try, wondering what they think and feel, and what emotions hide behind those fine bronze faces. Their politeness veils it all, their own deep world; their courtesy screens revelation. They move, like the camels, at the pace of a thousand years, unchanging. We watch them across barriers, that is all. Note that old man praying alone there, behind the munching camel. He has washed his hands and feet: his carpet is spread on the sand, and his shoes are off.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood An Arab Pilgrimage

To the music of this soft, gay piping the camels come swaying in beneath their enormous loads. Tents spring up over acres of yellow sand; camps are pitched, all separate yet all touching; the donkeys roll in the hot soil; the children laugh and play; the men, grave as the camels, sit round against the walls of bersim and water-jars and baggage that lie in heaps; and the women whisper to one another behind their veils how their little ones shall all be healed presently, and more⁠—that the childless wives among them shall at last become mothers.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood An Arab Pilgrimage

And the Fantasia continues far into the night, while the moon climbs higher, the old Nile flows slowly by and the desert listens solemnly all round. Numbers sleep through it; here and there some rise up and disappear across the sand; everywhere are the outlines of the humped and pointed little tents, the grotesque heads and necks of camels and sheeted human figures passing softly to and fro through the moonlight. All know that strangers stand and watch them, but, while aware of it, they are utterly indifferent.
Source: Wikisource

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