Algernon Blackwood

Algernon Blackwood

Summary

Portrait of Algernon Blackwood Algernon Blackwood Onanonanon

Standing on the landing in the early twilight was Baker, his other self, his alias, the personality he disliked and sometimes dreaded. Baker put his head round the corner, glanced at him, nodded familiarly, and withdrew, closing the door instantly, making no slightest sound. But, before it closed, and before he had time even to feel astonishment, the dog had been let in. And the dog, he saw at once, was old Carlo!
Having expected a little stranger dog, this big, shaggy, familiar beast caused him to feel a sense of curious wonder and bewilderment.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood Onanonanon

He knew that touch. It was Baker, his hated alias, come in the nick of time to rescue him. Yet the door did not open. Instead, the monster lashed its tail, it stiffened horribly, it turned its head back from watching the door, and lowered itself appallingly. The key turned in the lock, a bolt was shot. He was locked in alone with a tiger. He closed his eyes.
His recurrent nightmare had ruined sleep again, and outside, in the dreary autumn dawn, a little dog was yapping fiendishly on and on and on and on.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood Onanonanon

He was petrified, with terror. He tried to scream, but the only sound that came were little innocent words of childhood days. He almost lisped them, simpering with horror: “I’d get on your back⁠—if I was allowed out of bed. You’d carry me. I’d ride.”
It was a desperate attempt to pacify the beast, to persuade it, even in this terrible’ moment, to be friendly, a feeble, hopeless attempt to convince himself that it was⁠—Carlo. The Monster was twelve feet from head to tail, of, dull yellow striped with black.
Source: Wikisource

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