Summary

Portrait of Thomas Bulfinch Thomas Bulfinch The Age of Fable: — VIII. Pygmalion… (1855)

PYGMALION — DRYOPE, VENUS AND ADONIS — APOLLO AND HYACINTHUS
Pygmalion saw so much to blame in women that he came at last to abhor the sex, and resolved to live unmarried. He was a sculptor, and had made with wonderful skill a statue of ivory, so beautiful that no living woman came anywhere near it. It was indeed the perfect semblance of a maiden that seemed to be alive, and only prevented from moving by modesty. His art was so perfect that it concealed itself and its product looked like the workmanship of nature.
Source: Wikisource

Portrait of Thomas Bulfinch Thomas Bulfinch The Age of Fable: — VIII. Pygmalion… (1855)

She charged Adonis, too, to beware of such dangerous animals. "Be brave towards the timid," said she; "courage against the courageous is not safe. Beware how you expose yourself to danger and put my happiness to risk. Attack not the beasts that Nature has armed with weapons. I do not value your glory so high as to consent to purchase it by such exposure. Your youth, and the beauty that charms Venus, will not touch the hearts of lions and bristly boars.
Source: Wikisource

Portrait of Thomas Bulfinch Thomas Bulfinch The Age of Fable: — VIII. Pygmalion… (1855)

Let it often be brought and nursed under my branches, and play in my shade; and when he is old enough to talk, let him be taught to call me mother, and to say with sadness, 'My mother lies hid under this bark.' But bid him be careful of river banks, and beware how he plucks flowers, remembering that every bush he sees may be a goddess in disguise.
Source: Wikisource

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