Algernon Blackwood

Algernon Blackwood

Summary

Portrait of Algernon Blackwood Algernon Blackwood The Centaur — Chapter XXXVII (1911)

Now, in the glory of all naked bodily forms,--of women, men and children, of swift animals, of flowers, trees, and running water, of mountains and of seas,--he understood these partial revelations of the great Earth-Soul that bore them, gave them life. For one and all were channels for her loveliness. He saw the beauty of the "natural" instincts, the passion of motherhood and fatherhood--Earth's seeking to project herself in endless forms and variety. He understood why love increased the heart and made it feel at one with all the world.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood The Centaur — Chapter XXXVII (1911)

Then others came in its place, another and another, not all with people, blind, deaf, and unreceptive, yet all of "common," simple scenes of beauty when something vast had surged upon him and broken through the barriers that stand between the heart and Nature. Such curious little scenes they were. In most of them he had evidently been alone. But one and all had touched his soul with a foretaste of this same nameless ecstasy that now he knew complete. In every one the Consciousness of the Earth had "bruised" his own.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood The Centaur — Chapter XXXVII (1911)

Was thus the thrill of beauty then explained? Was loveliness, as men know it, a revelation of the Earth-Soul behind? And were the blinding flash, the dazzling wonder, and the dream men seek to render permanent in music, color, line and language, a vision of her nakedness? Down there, the poets and those simple enough of heart to stand close to Nature, could catch these whispered fragments of the enormous message, told as in secret
Source: Wikisource

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