Algernon Blackwood

Algernon Blackwood

Summary

Portrait of Algernon Blackwood Algernon Blackwood The Garden of Survival — Chapter I (1918)

She softly brushed the strings, her eyes turned downwards.
"Marion," I said, agitation making my voice sound unfamiliar, "Marion, dear, I am enthralled; your voice, your beauty----"
I found no other words; my voice stopped dead; I stood up, trembling in every limb. I saw her in that instant as a maid of olden time, singing the love-songs of some far-off day beside her native instrument, and of a voluptuous beauty there was no withstanding. The half-light of the dusk set her in a frame of terrible enchantment.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood The Garden of Survival — Chapter I (1918)

Marion, by her steady refusal to accept my honest friendship, by her persistent admiration of me, as also by her loveliness, her youth, her singing, persuaded me somehow finally that I needed her. The cry of the flesh, which her beauty stimulated and her singing increased most strangely, seemed raised into a burning desire that I mistook at the moment for the true desire of the soul.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood The Garden of Survival — Chapter I (1918)

Passions in me awoke, so deep, so ardent, so imperious, that I conceived them as born of the need of one soul for another. I attributed their power to genuine love. The following reactions, when my soul held up a finger and bade me listen to her still, small warnings, grew less positive and of ever less duration. The frontier between physical and spiritual passion is perilously narrow, perhaps. My judgment, at any rate, became insecure, then floundered hopelessly. The sound of the harp-strings and of Marion's voice could overwhelm its balance instantly.
Source: Wikisource

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