Summary

John Thomas A Dictionary of Music and Musicians (1900)

There is no denying that Welsh music is more artistic than either that of the Scotch or the Irish, and on that account it may, to a superficial observer, appear more modern; but to those who are acquainted with the harp, the national instrument of Wales, with its perfect diatonic scale, the apparent inconsistency disappears.
Source: Wikisource

John Thomas A Dictionary of Music and Musicians (1900)

The most remarkable feature in connection with Welsh music is that of Penillion singing,—singing of epigrammatic stanzas, extemporaneous or otherwise, to the accompaniment of one of the old melodies, of which there are many, very marked in character, expressly composed or chosen on account of their adaptability for the purpose, and played upon the harp.
Source: Wikisource

John Thomas A Dictionary of Music and Musicians (1900)

In the 7th century, according to the Venerable Bede, it was so generally played in Britain that it was customary to hand it from one to another at entertainments; and he mentions one who, ashamed that he could not play upon it, slunk away lest he should expose his ignorance. In such honour was it held in Wales that a slave might not practise upon it; while to play upon the instrument was an indispensable qualification of a gentleman. The ancient laws of Hywel Dda mention three kinds of harps:—the harp of the King; the harp of a Pencerdd, or master of music; and the harp of a Nobleman.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature