Algernon Blackwood

Algernon Blackwood

Summary

Portrait of Algernon Blackwood Algernon Blackwood The Olive

They were among olive groves⁠—but the spirits of the trees were dancing. Far below them, a pool of deep colour, they saw the ancient sea. They saw the tiny specks of distant fishing-boats. The sailors were singing to the dawn, and birds among the mimosa of the hanging gardens answered them.
Pausing a moment at length beneath a gaunt old tree, whose struggle to leave the clinging earth had tortured its great writhing arms and trunk, they took their breath, gazing at one another with eyes full of happy dreams.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood The Olive

She was a merry-looking sort of girl, with a happy, half-roguish face that seemed on the lookout for somebody to play with. Her mother, like most of the people in the big hotel, was an invalid; the girl, a dutiful and patient daughter. They had arrived that very day apparently. A laugh is a revealing thing, he thought as he fell asleep to dream of a lob-sided olive rolling consciously towards him, and of a girl’s eyes that watched its awkward movements, then looked up into his own and laughed. In his dream the olive had been deliberately and cleverly dispatched upon its uncertain journey.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood The Olive

If he bought a picture postcard to send home, there was sure to be an olive grove in one corner of it. The whole place was smothered with olive groves, the people owed their incomes and existence to these irrepressible trees. The villages among the hills swam roof-deep in them. They swarmed even in the hotel gardens.
The guide books praised them as persistently as the residents brought them, sooner or later, into every conversation. They grew lyrical over them:
“And how do you like our olive trees? Ah, you think them pretty. At first, most people are disappointed. They grow on one.”
Source: Wikisource

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