Algernon Blackwood

Algernon Blackwood

Summary

Portrait of Algernon Blackwood Algernon Blackwood The Spell of Egypt

The modern mind, no long terrified by speed, to which it has grown contemptuously accustomed, yet shrinks a little before this display of titanic and bewildering size, Egypt makes it realise that it has no handy stand of measurement. It listens to words that are are meaningless. The vast proportions uplift, then stupefy. The girth of the Pyramids, the height of the Colossi, the cubic content of the granite columns and the visage of the Sphinx expressed in yards⁠—these convey as little truth as the numbered leagues of the frightening desert or the length of that weary and interminable Nile.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood The Spell of Egypt

There is a sense of deathlessness about the ancient Nile, about the grim Sphinx and Pyramids, on the very colonnades of Karnak, whose pylons now once more stand upright after a sleep of forty centuries on their backs; above all, in the strength of the floating, rustling sand⁠—something that defies time and repudiates change in death. Out of that flat, undifferentiated landscape which is Egypt, still stand the unconquerable finger-posts of stone, pointing, like symbols of eternity, to the equally unchanging skies.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood The Spell of Egypt

In peace and silence, belonging to a loneliness of ages, rise heads and shoulders of towering gods of stone, little jackals silhouetted, perhaps, an instant against deific thighs half buried in sand. Great winds, great blazing spaces, great days and nights of shining wonder float past from the pavement or the theatre stall, and London, dim-lit England, the whole of modern life indeed, are reduced sharply to a miniature of trifling ugliness that seems the unreality. Egypt rolls through the heart for a second and is gone.⁠ ⁠...
Source: Wikisource

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