Alice Brown

Alice Brown

Summary

Portrait of Alice Brown Alice Brown The Prisoner

I'm sure you're inconceivably good to me."
"I'd like to love people to death," said Lydia, with the fierceness of passion not yet named and recognised, but putting up its beautiful head now and then to look her remindingly in the eyes. "I'd like to love everybody. You first, Farvie, you and Anne. And Jeff. I'm going to love Jeff like a house-a-fire. He doesn't know what it is to have a sister. When he comes in I'm going to run up to him as if I couldn't wait to get him into the room, and kiss him and say, 'Here we are, Jeff. I'm Lyddy. Here's Anne.' You kiss him, too, Anne."
Source: Gutenberg

Portrait of Alice Brown Alice Brown The Prisoner

Could he tell her that at that minute he loved Addington better than anything but Lydia? and Lydia he must still keep hidden in the back of his mind under the green leaves of secrecy. "Esther," said he, "Esther, poor child, I don't want you to be a prisoner to me. And I don't want to be a prisoner to you. It would be a shocking wrong to you to be condemned to live with me all your life just because an old woman has scared you. What a penalty to pay for being afraid of Madame Beattie—to live with a husband you had stopped thinking about at all."
Source: Gutenberg

Portrait of Alice Brown Alice Brown The Prisoner

Jeff went home and stood just inside his gateway to wait for Lydia. He judged that she had been going to Amabel's, and now, her thoughts thrown out of focus by meeting him with Esther, she would give up her visit and come home to be sad a little by herself. He was right. She came soon, walking fast, after her habit, a determined figure. He had had time to read her face before she drew its veil of proud composure, and he found in it what he had expected: young sorrow, the anguish of the heart stricken and with no acquired power of staunching its own wounds.
Source: Gutenberg

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