Anna Alice Chapin

Anna Alice Chapin

Summary

Portrait of Anna Alice Chapin Anna Alice Chapin When Dead Lips Speak (1919)

The women murmured "Hail Marys" and were more than ever inclined to flee when a tiny blue gleam, the merest pinpoint of light, appeared playing about the disk, a delicate, mysterious spirit thing, dancing almost on the very face of death.
Judson was counting slowly and regularly, though in a very weak and tremulous voice. The room was in utter darkness, save for that pricking, glinting speck of light. But there were sounds. Sounds other than that of the tiny dynamo—strange, scarcely audible sounds—footfalls, and then a queer, harsh voice—the voice of Adam Norton, who lay dead—crying, "Cyril!"
Source: Wikisource

Portrait of Anna Alice Chapin Anna Alice Chapin When Dead Lips Speak (1919)

Suddenly a horrible, gruesome thought seemed to break in upon Ashton Ware's consciousness. His strange eyes dilated, and he took a few slow, stiff steps backward.
"Of course your murdered him yourself," he said, "but how did you make him talk into that phonograph?"
"How did you?" demanded Cyril. "Really, it seems an odd thing for a man to arrange all the practical details of having himself murdered, even for the sake of getting a relative into trouble!"
Source: Wikisource

Portrait of Anna Alice Chapin Anna Alice Chapin When Dead Lips Speak (1919)

Cyril turned to the servants, Judson, the cook and the two maids. "You all heard that, I think, and can repeat it—as he said it?"
"Yes, sir," "Yes," "Oh, yes, Mr. Cyril!" "Oh, the sneaking creature!" Such were a few of the immediate if somewhat shaky responses. But Ware would not give in yet. "I don't understand—I don't understand!" he muttered repeatedly. Then his pale eyes grew suddenly wide.
"If there was no other record in the phonograph," he said in a sharp, strangled tone, "what was it I heard?"
"The voice of the dead," said Cyril solemnly.
Source: Wikisource

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